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WONKO/MUSIC

BOSS OC-5 Octave

The BOSS OC-5 is a polyphonic guitar and bass octave pedal with octave-down and octave-up voices, a Vintage mode modelled on the mono OC-2, and a Poly mode.

What it is

The OC-5 is BOSS's octave pedal and the successor to the OC-2 (1982) and OC-3 (2003). BOSS describes it as an updated industry-standard octave pedal with a newly developed tracking engine. It has a Vintage/Poly switch, a Guitar/Bass switch, and separate -2/-1 and +1 octave controls, so it can blend up to four pitch layers. Reviewers compare its tracking favourably with the OC-2's slower response, and some say the OC-3's drive mode and dedicated bass input are missing. Several sources note that it has no distortion circuit. Its early reception was divided. Some users preferred the OC-3, while most reviewers described the OC-5 as a clear improvement. Premier Guitar rated it 4.4 out of 5, and Guitar.com gave it 9 out of 10. Reviewers praised its simple controls and its Poly-mode tracking, and criticised the lack of deeper controls found on larger octave units.

Specifications

Inputs and outputs
One 1/4 inch input, one 1/4 inch main output, and one 1/4 inch direct out; buffered bypass
Nominal input level
-20 dBu
Input impedance
1 MΩ
Nominal output level
-20 dBu
Output impedance
1 kΩ
Recommended load
10 kΩ or greater
Power
One alkaline 9 V battery, or the optional PSA-series AC adaptor (sold separately)
Current draw
60 mA (BOSS specification)
Battery life
About 5 hours on alkaline (BOSS specification)
Dimensions
73 mm wide, 129 mm deep, 59 mm high
Weight
440 g including battery
Warranty
Five years, per the manufacturer's website
Controls
Pedal switch, Guitar/Bass switch, Vintage/Poly switch, Direct Level knob, +1 OCT knob, -1 OCT knob, -2 OCT/Range knob, and a CHECK indicator that doubles as a battery check

How it's used

Guitarists use the OC-5 for solos, for adding a bass-like root under power, open, and barre chords in Poly mode, and for simulating a twelve-string sound. Fingerstyle and jazz players use it in solo settings to fill out the sound. Several reviewers report that it works on bass, including five-string bass. It is usually placed early in the signal chain, before fuzz or overdrive.

Suggested usage

What reviewers said

Sources